![]() Are you an aspiring model? Register with us today to find out if you have what it takes! 5. She soon became extremely popular and was a muse for Versace, Halston, Calvin Klein, Donna Karan and Yves Saint Laurent. She promptly moved to America to pursue her career. Iman is a former fashion model and was discovered whilst at university. She has walked in the Victoria’s Secret Fashion Show and featured in a campaign with Maybelline New York. Since then, Jourdan has walked many runways and featured on the covers of many Vogues including British, America, Turkey, Japan and Brazil. She was scouted at the age of 15 whilst shopping with a friend in a London Primark and was quickly signed to Storm Management. Jourdan is an English model and actress who is considered to be one of this generation’s top supermodels. ![]() ![]() Her career exploded and she is still to this day thought of as one of the biggest and most successful supermodels to date. She was soon noticed for her beauty and graced the cover of Elle magazine just before her 16th birthday. She first came into the limelight in her early teens as a dancer. Naomi was one of the “super 6”, a group of models in the 90’s thought of as the first supermodels. She then went on to close both their F/W 17 and S/S 18 shows as an exclusive, signing to Elite Model Management in Paris and securing her place as one of the most popular black fashion models in 2020. She was scouted multiple times as a young teenager but started her career at 16 when she signed to Chadwick Models and made her fashion week runway debut in the Saint Laurent S/S 17 show. Adut AkechĪdut Akech is a 21-year-old South Sudanese-Australian model. Here, we take a look at some of the top black fashion models in the industry. We cannot do it alone.The fashion industry has been notoriously undiverse in the past, but recent bounds towards inclusivity means black models are finally capable of getting the popularity, success and opportunities they deserve on the runway. Our pledge is to elevate solutions, share successes, and amplify the experiences of Black people. Her courage, however, paved the way for other black models like Naomi Campbell, Tyra Banks, Duckie Thot, among others. Retiring from modeling in 1970, Williams continued her career in fashion as a stylist. As more black models became more visible, cosmetic companies began doing a lot of research aimed at developing products for African-American women. Finally, the beautiful, talented and inspirational woman had broken the color barrier in the modeling industry. Some influential media personalities took up her case, exposing the plight of black fashion models in the country and drumming home the need for change.Įventually, the situation improved, especially for Williams, and she got booked for ads for major brands such as Loom Togs, Modess, and Budweiser. Having had enough of the bias of the fashion industry, Williams took her case to the press. Told to wait two hours in the reception of one agency, she was later told that the agency already had a black model and she was not needed. ![]() But when she went searching for a new agent in New York City, she realized that there had not been any major change. Williams later returned to America, hoping things had changed for models like her. “By the end of her tenure she was making a staggering $7,500 a year working part-time, and had received three marriage proposals from her French admirers, one of whom kissed her feet and murmured, ‘I worship the ground you walk on, mademoiselle’,” writes. Facing discrimination while trying to extend her career with other modeling houses, Williams moved to Paris in the 1960s, where she was embraced.įrance had a different outlook on black beauty and soon enough, the African-American beauty was modeling for big fashion designers like Christian Dior and Jean Dessès. “I was too dark to be accepted,” Williams once recalled. Even within the African-American modelling scene, ladies were expected to be light-skinned. And that was how she was able to break into a stereotyped industry like fashion in the 1950s, working with African-American magazines like Jet and Ebony.īut there was a problem – her dark skin color did not attract many industry folks in America, as non-white models were largely excluded from mainstream fashion.
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